VIDEO: Happy Birthday in a minor key w/ thirty musical saws / Happy Death Day to You
Now is the part where you ask: Brigid, ARE YOU OKAY??
Why, thank you for your concern! I am. I think. Adulting is hard.
Last month I glanced at the kitchen calendar and noticed my 7-year-old had scrawled “Grandude’s Death Day” on one of the boxes. It made me smile, which was nice on a day I certainly didn’t need reminding of.
And so, rather than weep on that one-year-anniversary, I demanded time alone, sat with my musical saws and decided to conquer something I’d wanted to for over twenty years: record track after track, overlaying sounds and pitches, using my 20”, 26”, and 30” saws to see exactly what an orchestra of thirty musical saws would sound like.
Why musical saw and why thirty? My dad was the first to show me the saw, around the time I started playing the cello in elementary school. When I eventually read Harry Potter and the Chamber of Secrets, a paragraph jumped out at me, something that most readers likely just glided past:
It was an incredible sight. The dungeon was full of hundreds of pearly-white, translucent people, mostly drifting around a crowded dance floor, waltzing to the dreadful, quavering sound of thirty musical saws, played by an orchestra on a raised, black-draped platform.
The main characters had gone to the dungeon of Hogwarts to a ghost’s 500th Death Day party. It was apparently a weird and spooky event, as you’d imagine a crowd full of ghosts would be.
It was also the first pop culture reference I’d seen to the musical saw, and I swore one day I’d make a video like the one I’m releasing today.
This was 1998, before Harry Potter had been licensed, before the films, etc. I hoped that maybe I’d be able to record 30 musical saws for the movie someday, if ever one was made. (Imposter Syndrome struck hard: I know now that I absolutely could have found a way to get to Warner Brothers and create a musical saw orchestra for the film, if I’d been more confident!)
I hope y’all enjoy the video and find it charming, useful, maybe a little tearful, but not flippant. My mom’s 2nd Death Day is several weeks away, but I’m releasing this on her birthday instead.
Recorded on my dad’s Death Day; released on my mom’s birthday. My birthday is at the end of July (just like JK Rowling’s), and I acknowledge that this a weird way of dealing with grief. It took me trying to celebrate my first birthday without my parents to realize that birthdays are not a celebration of the day you are born; they are a celebration of the day you meet your parents.
As I’m not particularly looking forward to a birthday without my parents, let’s do this year in a minor key.
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The Making Of!
How did I do it?
From a musical standpoint, I switched the melody from a major key to a minor key. People tend to associate sad things with minor keys and happy things with major keys. I typically play "Happy Birthday" in Ab major on my favorite Stanley 26”, so I switched to Ab minor (G#minor if you are a transcription-geek like I am) flattening the Fs and most of the Cs. That’s why the song itself sounds mournful rather than joyous.
From a video/audio standpoint:
There’s not really a way to record THIRTY split-screens easily, but the ACapella app has 9-part and 6-part screens templates. Basically I made four separate Acapella videos, each set to the same metronome tempo. 9+9+6+6=30. Yes!
I recorded the melody once, then put on headphones, switched saws and played along to my first recording while recording a second video. The Acapella app makes split-screens a LOT easier, but it does require you to do a perfect take; no mistakes, no “punching in” or auto-tuning. Here’s a link to a Tutorial on How to Use the Acapella app.
I arranged 3-5 melody parts (each slightly different depending on the saw) and layered track after track. There are 6 videos playing some version of the melody, but in various octaves on different saws.
Next, I created a new 9-part split-screen entirely composed of some alto lines.
Repeat for tenor harmonies, with 9 videos, since the tenor parts are typically the most interesting to me.
Repeat for bass harmonies, only six videos of these, and most played on my 30” baritone saw.
I added some reverb and mixed the audio -- I wanted the melody line a little louder, and for the bass & tenor parts to come at you from both sides (which only really matters if you’re listening with swanky swanky headphones, but, hey, I am a music geek!).
I downloaded each video to my phone, then to my laptop, where I used iMovie (hoping to earn enough Patreon money to justify purchasing a better software program soon, hint hint!) to put the pieces together.
The trickiest bit was lining up the sound wave files from each video, but i did that by stretching out the media files and making sure the wave forms matched, then listening obsessively just to make sure.
I used the “picture in picture” function on iMovie to make the 30 videos go together. I’ll make a youtube tutorial on that someday because it’s too complex and boring to go into that now. It involves exporting the mixed video four times and layering it.
I added some title cards! That part was mostly easy, though would have been much faster in Adobe or FinalCut. (I had to create some transparent PNG files in Google Docs to layover the final video in order to get the titles in the right part of the screen. The title cards that come with iMovie weren’t cutting it for me.)
I’m now just THRILLED to release it, and I’m even more thrilled to release it on my mom’s birthday. She was born in summer, and she died in summer. My dad was born ten days after the winter solstice and died before the summer solstice. There is so much magic in dates, even when we’re not looking for them and even when we don’t believe in them.
1 comments
Holy crap that is amazing.
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